Happy Sunday afternoon to everyone!! It’s more than a little grey and rainy outside here today, which I actually like once in a while. (unfortunately, we have them seemingly every 3 days or so.) When the rainy day falls on a Sunday, though, it feels like an extra dose of creativity dropped on my doorstep.

So, grab a comfy spot and a cup of coffee or tea, and join me for a stroll down memory lane with today’s guest author. Today, instead of an interview, I’ll be sharing a story by author Faith Ann Colburn, who writes about the importance of family, the value of simple things, and growing up in the Midwest. Having grown up in large cities and never having set foot in most of the states that occupy the central part of the country, I certainly know that country life is not the life for me, but I get a certain appreciation of simplicity and nostalgia reading Faith’s work.

Faith has penned a novel called “Threshold: A Memoir”, which is a collection of short stories about one American family’s journey through weathering the good, the bad, and the downright ugly—and ultimately surviving the journey. Her book transports readers not only into the world of prairie life, but discusses issues that are ultimately human, revealing, and universal. It is available through a simple visit to Amazon, and is a mere $2.99 if you’re a Kindle owner, so there’s really no reason not to add it to your reading list!



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Without any further rambling on my part, here’s today’s guest post, a story by author Faith Ann Colburn. 

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Memory: Catch Me If You Can

My great-grandmother Frank (yes that was her name) died when I was fourteen. She’d seen the prairie when it was still mostly grasslands and wandering bands of Otoe displaced from their homes. She remembered starving Indians staring at her through the windows as she kneaded bread, which she always gave to them. She remembered making do with simple stuff like a tree limb to harrow the fields. (She was the one behind the horse.) And that’s all I know of Grandma Frank’s rich experience of a life very different from my own, even though it was very close to the place where I grew up. She was just old and I was young and dumb and I didn’t realize she knew things that would ever matter to me. I never listened.

But I remember standing on Grandma’s front step where I could see the shadow of some buildings. “That’s Mount Clare,” Grandma Hazel said. “It’s a mirage.”

I’d seen mirages in the movies, where people wandered on the desert, dying of thirst. So that seemed dramatic enough to remember. What I saw was a reflection of the town on the clouds. Conditions had to be just right to see it and I think I only saw it once more. But the explanation of those distant buildings, five-to-ten miles away, represent the first story I remember my grandmother telling me. Fortunately, she lived fifty years after I was born, so she told me lots more stories.

Have you ever spent an hour or two with someone who talks faster than you can listen? Usually, those folks are trying to sell you something. Or maybe they’re not comfortable with themselves and silence frightens them. Well, Grandma never talked very fast, but I listened very slo-o-o-owly. In fact, by the time I really heard, it was almost too late. My grandmother had passed her ninety-eighth birthday.

Grandma’s stories were always mixed up with some activity, most often outdoors. The problem was that, since they were so mixed up with ordinary work, it took me many years to realize they were special. We worked on a farm; she was busy and so was everybody else. But I don’t think she could help herself. She had to tell those stories . . . and whenever I checked her, I found them to be true.

So finally, belatedly, it dawned on me that I had an unbelievable, rich archive of my very own family. I had access to a woman who could talk to me in exquisite detail of seven generations. And in those seven generations she could describe every conceivable kind of hardship and how my family, people whose DNA I carry, have struggled with those hardships and survived and, in almost all cases, thrived.

We were sorting through old photos, identifying people and writing names on the backs when it occurred to me to record her stories. I asked if she’d mind repeating her stories so I could tape them. She agreed. We made an appointment every Wednesday afternoon at two p.m. I brought my tape recorder and we sat in her living room, both facing the street so we wouldn’t miss anything, and talked. I recorded a ninety-minute tape cassette each Wednesday until I had thirty hours of our voices describing, in Technicolor detail, one extraordinarily ordinary family. I worked with that material, and a lot more I found in archives and county histories and other people’s memories, including my own, for more than eighteen years. I published my memoir, Threshold: A Memoir, at the end of 2012, fifteen years after Grandma died.

It seems kind of selfish now to have mined that woman’s memory as I did, but I think Grandma was hungry for an excuse to get some attention my sister and I were too busy and worn out with jobs and kids to give. It must have provided a nice break for her. All the other afternoons, she went to the local nursing home to “take care of the old folks.” One of those old folks was her daughter. Nina had ALS, amyotrophic lateral sclerosis, Lou Gehrig’s disease. The only time I ever say my Grandmother shed a tear, she’d just come from the home, just exhausted. She leaned on a little claw-foot table in her living room and tried to gather herself back up. “It’s just hard,” she said, “to watch her die an inch at a time.” With her usual stoicism, she refused the dramatic moment, wiped one tiny tear from the corner of her eye and asked if I wanted some grapes before we got started.

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As a post script, I might add that, while logic would indicate interviewing the oldest generation first, sometimes that plan may come back to bite you. As I was interviewing Grandma, my mother became incoherent as a result of Alzheimer’s. So it’s back to the county histories and maybe a jazz museum or two to tease out a big city family, a cousin of Henry Ford, a big band singer and severe mental illness. I call my novel-in-progress, based on my mother’s and dad’s lives, Gravy, because the odds against most of the good stuff are astronomical.



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To contact Faith:
* Website: http://faithanncolburn.com
* Blog: http://faithanncolburn.wordpress.com
* Facebook: http://www.facebook.com/colburnfa
* Twitter: http://twitter.com/colburnfa
* Threshold: A Memoir on Amazon: http://www.amazon.com/Threshold-A-Memoir-ebook/dp/B009ZIJPV8
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Thank you so very much to Faith for being my guest here this Sunday, and of course I’ll be back next week with another author, discussing what you should be reading and why, and hopefully inspiring you into completing that creative feat of your own!

If you spend the next day or so with “Threshold: A Memoir”, vicariously living the Nebraskan life, certainly nobody will hold your absence against you. ;)

I’ve decided to start a regular feature here on Jaded Elegance where each Sunday, I’ll provide book reviews of things I’ve read lately, post an author interview with another writer, or have a literary guest blogger lend a new voice to this page for the day. This idea came out of hanging out on some of the message boards on Goodreads, which is a fabulous community for those who love books, but even more so for those who write them. Earlier in the month, a fellow author did an interview with me regarding the publication of Ophelia’s Wayward Muse, and I was inspired by finding a community of creative spirits who are supportive rather than competitive.

My first interview is with a lovely woman by the name of Kerry Louise Connelly, and her latest work is called Observation City. I chose her as my first author to feature on here because I think she and I have very similar styles, in terms of not only how we write but the subjects that inspire us to write. Therefore, if you like reading what I put up here on a regular basis, or you enjoy my creative prose, you’re the type of person who should immediately order your copy of Observation City.



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Let’s learn a bit more about the author, shall we?

1) Please tell the readers a bit about yourself. Where are you from, where do you reside now, and what is your latest project?


I’m an English born Australian author, currently still living in Australia – but who knows, may have plans to re locate in the future. My current title ‘Observation City’ is out now and has just been picked up by some other terrific online book retailers so it is easily findable, it’s a fun and easy read that encompasses 21 pieces about human behaviour and relatable life situations, written with humour. My latest project is a non-fiction story, ‘Shaken’: A story of emotional abuse and depression, which will be due out in the coming months.

2) If you don’t mind, share a little bit about your latest book? What is it about your writing that makes it stand out from the pack?


‘Observation City’ is a fun, relatable book which was originally aimed at women but I have found a lot of men are enjoying it also which is wonderful. It is told with raw, often sarcastic, understandable humour that I hope readers will enjoy.


‘Shaken’ is a different piece all together. It is a story of emotional abuse and depression, that is not only inspired by my own experiences with the topic, but is interspersed with informative material that may help those who are also involved in a confusing emotionally abusive situation and/or are dealing with a form of depression.

By talking to my reader and being honest and raw, I hope that is what will stand me ‘out from the pack’, I also encourage readers to contact me with any messages that I aim to always respond to.

3) When it comes to the creative process, what inspires you? Tell us a little bit about how your latest book came into being.


‘Observation City’ was written over a 2 year period and inspired by my own experiences that of friends and of strangers who seem to talk a little too load about their lives in public!

‘Shaken’ has been inspired through my own experiences with emotional abuse and depression and my learning to understand and work through the experience and illness.

4) Did you decide to go with a traditional publisher, an indie publisher, or self-publish your latest work? What do you consider the benefits and the drawbacks of the particular route you’ve chosen?

I decided to take full creative control and publish myself. Writing has never been about seeking world-wide fame for me or making a ton of money – as any author or artist will know, if you are seeking only money through your craft- you are in the wrong craft!

I love having the creative control to tell my story the way I want and to reach out to readers through my very own words, instead of being censored or edited by large publishing companies. It also gives me the freedom of choice to work in the cover design process. It really is a well-rounded artistic experience. The drawback is self-marketing, it is a whole other industry in itself, however a very good learning experience.

5) Where, when, and how did you get your start in the writing world? Is this your first publication?

I’ve always loved writing, ever since a child. My favourite school subjects were English and art/ drama/music etc., and I would constantly be writing. I have worked as a casual journalist and in radio broadcasting – where I would of course formulate articles and also in the radio industry I was able to interview upcoming talent and write a 12 piece film review series which broadcast to 180 community stations Australia wide.

‘Observation City’ is my first published book title.

6) What is the part of the process that comes the most naturally to you?


Automatic writing, I just write from an idea to the page.

7) What do you consider to be the most challenging part of the creative process?


Structure. Learning how to formulate your ideas and words into a well maintained creative structure that the audience can follow and enjoy.

8) Other than yourself, of course, who is your favourite author? What’s the last book you read that really spoke to you in some way, and why?


Books themselves inspire me rather than a specific author, however I have to say author Alice Sebold’s work on ‘The Lovely Bones’ is truly mesmerising and captivating. She has such an original way of combining violent tragedy with beauty that you don’t see very often.

The last book that blew me away was ‘The Flock’ by Joan Frances Casey and Lyn Wilson. It quickly became a book I have been raving about to anyone who will listen (ha-ha). It’s an autobiography of a multiple personality. Written in the first person as the core persona AND 19 multiples. Currently I am reading ‘The Road Through Wonderland: Surviving John Holms” ,by Dawn Schiller. You can see I love true stories.

9)
Is writing a full-time career for you, or something you do in your free time? What do you ultimately hope to accomplish as a writer?

A bit of both, I work dual roles as an education assistant which I love dearly and worked very hard to break into, and of course working as an author is something that also fulfils me. I think and hope I can do both, however, still put a lot of focus into my writing career.

10) If there were one thing you’d like to improve about your life or your writing at this point in time, what would it be?

I’d like to be given the chance one day soon to relocate to an environment where I can network with other authors and creative types, and have my work widely read.

Thanks to Kerry for her willingness to grace the pages here at Jaded Elegance today. I have her Observation City on my to-read list, and I hope you’ll do so, too. While there are some really wonderful books published through traditional publishing houses that are getting a ton of press, there is exceptional work coming out of the indie scene, as well. Please do show your support!

If you’re interested in getting to know more about Kerry and her work (I have, and I must say she’s a charming, down-to-earth person who’s the type I’d certainly meet for a coffee and chat any day!), please take the time to check out her author page, follow her on Facebook, or join her lively fan base on Goodreads.



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Observation City is easily available at a number of retailers. Books can be bought through CreateSpace, Amazon, Amazon UK, Book Depository (based in the UK, but offers free worldwide shipping), and of course, Barnes & Noble

A great “thank you” again to author Kerry Louise Connelly, whose positive and authentic perspective is nothing short of a breath of fresh air. I certainly hope to hear more from her in the future, and perhaps have her back here for a guest post down the line.

Of course, if you’re a book lover who’d like to hear my thoughts on other works or occasionally follow the progress of my own creative endeavours, please join and friend me on my own Goodreads author page.

If you do read Observation City, don’t be afraid to let either Kerry or myself know what you thought of the experience. :) I’m certain she’d love the feedback!

See you next Sunday, fellow book lovers and creative spirits!

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